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ARLIS/NA 29th Annual Conference
| Session 8: Copyright, Fair Use and the Disappearing Public Domain: What Art Information Specialists are Doing and What You need to Know | |
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Abstract: The Disappearing Public Domain: What this means for Art & Creativity,
Howard Besser
In
the past several years we've witnessed a major effort to overhaul US Intellectual
Property law. Ostensibly
in response to technological change, the content industry has engaged
in a veritable assault on long-standing public interest practices, including
satire, reference, and re-contextualization which lie at the heart of
much 20th century art. This presentation will discuss the importance of
the "public domain" for artists and scholars, and how its increasingly
rapid erosion is likely to curtail creativity and scholarship. The presentation draws parallels between the disappearance
of the public domain and the disappearance of physical public space that
has changed our cities. Now
You See It, Now You Don't: The Perils and Practice of Licensing Licensing
of digital content presents new challenges for maintaining long term access
for research collections. Time honored rights of fair use, archival and
preservation copying, perpetual access, first sale rights and the integrity
of digital content are at best negotiable and by no means guaranteed.
In addition, publishers and vendors may or may not disclose that digital
products are missing content that was contained in the print version. This presentation will explore current
challenges and techniques for licensing digital content with particular
emphasis on the implications for art libraries and museum research collections. Everyday
Copyright: Implementation for You and Your Institution, Cheryle
T. Robertson Increased
awareness of intellectual property rights has created the need for institutions
to develop departments to clear works of art for reproduction. In this
session I will speak about how to create policy, structure fees, provide
customer service both internally and externally, and build communication
networks. I will also discuss some of the everyday issues that arise in
a museum's rights and reproductions department.
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| last revised 3.16.01 |